Hexton Gallery: Right Place by Marcos Acosta

Marcos Acosta has been exploring the traditional genre of landscape painting for 20 years. As a native of Córdoba, Argentina, he absorbs and digests the visual aspects of his territory with an exquisite level of detail, questioning the relationship between men and nature through his irreverent geometries. This recent collection of paintings follows on the heals of his last institutional exhibition Outside the Wind, Inside The World  and addresses the universal connection that lies beneath everything that is.

Acosta explores the notion that, at a subatomic level, humans are made of the same elements as everything around us. As such, the artist finds himself in the natural elements that he portrays and offers us an opportunity to do the same. These works propose an integration with nature, not a separation from it, and in so doing erases the tension between culture and nature. The places he depicts in his works are outside of any specific physical space and instead formed by an echo or a dream, further uniting us and the landscape. The Right Place is no place and every place, encompassing a common essence that is, at its core, simply light.

Born in Cordóba, Argentina in 1980, Marcos developed his artistic activity in multiple fields, mainly painting, drawing, engraving and sculpture. He began his studies at the age of 10 and attended different private workshops, alternating with stages of self-taught production until the age of 16. In 1998, he began his studies at the Faculty of Arts of the National University of Cordóba, Argentina, from which he graduated with a BA in Painting. Between 1998 and 2000, he attended the workshop of master artist Carlos Peiteado, with whom he further perfected his drawing, painting and composition. Since 2001, Acosta has had over 35 solo exhibitions, more than 115 collective exhibitions and has received several awards and honors in Argentina. Acosta’s work is represented in many private collections and public art institutions around the world.

Hexton Gallery was founded by Bob Chase in 1995 and expanded upon the Chase family’s long-standing role in gallery development, artist representation, and extensive work in 20th century master prints and figurative sculpture. The gallery originated at 78th and Madison on New York’s Upper East Side, and relocated to Chicago several years later. The gallery’s archive, art production, and marketing teams reside in Chicago, while the main gallery now operates at its Cooper Avenue location in Aspen, Colorado. Hexton has produced over two hundred exhibitions internationally in the last twenty-five years, both solo and in collaboration with other gallery partners. The gallery continues to participate extensively in domestic and international art fairs in support of its mid-career and established artists.

To learn more or inquire about purchasing one of the artsworks, please click here.

After the Storm lll, 2022

oil on canvas
59 x 80 in
150 x 197.6 cm
(MA 086)

Blue Night lll, 2022

oil on canvas
51 1/4 x 37 1/4 in
130.2 x 94.8 cm
(MA 084)

Duality lll & Duality IV, 2022

oil on canvas
18 x 21 1/4 inches, each
(MA 109)

Great Invader, 2022

oil on canvas
51 x 38 in
129.7 x 96 cm
(MA 081)

Red Thought, 2022

oil on canvas
59 x 78 in
149.8 x 197.4 cm
(MA 079)

Right Place, 2022

oil on canvas
53 x 39
135 x 99.5 cm
(MA 078)

Signal, 2021

oil on canvas
59 x 77 1/2 in
149.8 x 197 cm
(MA 076)

Who Knows What is This, 2022

47 1/2 x 46 in
120.5 x 117 cm
(MA 077)


Hexton Gallery: From Behind the Glass by American Michael De Feo

Exhibition Overview

New York City based artist, Michael De Feo has been painting flowers around the world since the early 1990’s. Rooted at the forefront of the street art movement in New York, he earned the moniker “The Flower Guy”. Continuously exploring the alluring beauty of the natural world, Michael created a series of flower-inspired paintings symbolizing beauty, ephemerality, ritualistic expression, and the cycle of life. Beginning in 2015, he used a master key to access the ad spaces in city bus-stops, inserting his paintings in place of the original branded campaigns, combining the intimacy of these bouquets with an outdoor projection. As the removed advertisements piled up in his studio, he began painting over them, and then reinstalled them back into the vitrines on the streets. This body of work merges fashion takeovers with guerrilla art by both subverting and celebrating the underlying images. With the excitement that came out of combining the fashion world with floral treatments, an ongoing series of magazine page interventions came to life. This exhibition encompasses works from these different moments in his career, visualizing his trajectory. His studio work incorporates a wide range of influences, from Dutch 17th century still life painting to fashion magazines and fashion advertising campaigns. He often adds his floral treatments and cascades of multicolored petals to existing printed images from the fashion world and art history/traditional art, which both subverts and celebrates the underlying image. Michael was asked to paint his signature flowers on the Neiman Marcus covers. In an interesting connection to Dallas, Michael did a collaboration with the Neiman Marcus catalog “The Book” back in 2016. These covers were part of a series of NM catalogs that year that won a Clio Award. 

The 11 Works in the show are all for sale through Hexton Gallery. To view all artwork and pricing, click here.

Learn more about Michael De Feo:

Hexton Gallery was founded by Robert Chase in 1995 and expanded upon the Chase family’s long-standing role in gallery development, artist representation, and extensive work in 20th century master prints and figurative sculpture. The gallery originated at 78th and Madison on New York’s Upper East Side, and relocated to Chicago several years later. The gallery’s archive, art production, and marketing teams reside in Chicago, while the main gallery now operates at its Cooper Avenue location in Aspen, Colorado. Hexton has produced over two hundred exhibitions internationally in the last twenty-five years, both solo and in collaboration with other gallery partners. Hexton also develops and supports institutional exhibitions for its artists, having recently provided sponsorship for Eric Fischl’s If Art Could Talk at the Dallas Contemporary, Carlos Rolon’s Inside Out at the New Orleans Museum of Art, and Scott Avett’s Invisible at the North Carolina Museum of Art. The gallery continues to participate extensively in domestic and international art fairs in support of its mid-career and established artists.

Untitled (Courtney Love by Laura Bailey for Violet, No. 15, Spring/Summer 2021), 2021

Michael De Feo
Acrylic on magazine page
11 1/4 x 8 3/4 in
28.6 x 21.9 cm
(MDF 104)

Untitled (Elsa Hosk by David Roemer for Schutz, 2020), 2021

Michael De Feo
Acrylic on NYC outdoor street advertisement
72 x 48 in
182.9 x 121.9 cm
(MDF 102)

Untitled (Kacey Musgraves by Cass Bird for cover of ELLE, June/July, 2021), 2021

Michael De Feo
Acrylic on magazine cover
10 3/4 x 8 in
27.3 x 20.3 cm
(MDF 101)

Untitled (Keira Knightley by Mario Testino for Coco Mademoiselle, 2020), 2021

Michael De Feo
Acrylic on magazine cover
11 1/4 x 8 3/4 in
28.6 x 21.9 cm
(MDF 103)

Untitled (Keira Knightley for Chanel Coco Mademoiselle, 2021)

Michael De Feo
Acrylic on French bus-stop shelter advertisement
68 1/2 x 46 1/2 in
174 x 118.1 cm
(MDF 106)

Untitled (Natalie Portman by David Bellemere for Miss Dior, 2017), 2021

Michael De Feo
Acrylic on French bus-stop shelter advertisement
68 3/4 x 46 3/4 in
174.6 x 118.7 cm
(MDF 107)

Untitled (Natalie Portman for Miss Dior), 2021

Michael De Feo
Acrylic on French bus-stop shelter advertisement
68 1/2 x 46 1/2 in
174 x 118.1 cm

Untitled (Selena Gomez by Bruce Weber for cover of Vouge Brasil, June, 2016), 2016

Michael De Feo
Acrylic on magazine cover
10 3/4 x 8 1/4 in
27.3 x 20.7 cm
(MDF 069)

Untitled, 2021

Michael De Feo
Acrylic on (Lenox 100)
68 1/2 x 46 1/2 in
174 x 118.1 cm
(MDF 108)

Untitled, 2021

Michael De Feo
Acrylic on paper (Lenox 100)
30 x 22 in
76.2 x 55.9 cm
(MDF 100)

Untitled, 2021

Michael De Feo
Acrylic on paper (Rives BFK)
30 x 22 in
76.2 x 55.9 cm
(MDF 105)


Patron Magazine Anniversary Show at Park House

Exhibition Overview

In honor of the 10 Year Anniversary of PATRON Magazine, showcased on the gallery walls of Park House are 14 artworks by various artists who have been featured on the cover or highlighted in the magazine over the last ten years. The exhibition at Park House represents important contemporary artists of our time. Curated by Terri Provencal, PATRON founder and editor in chief, has selected artists spanning diverse cultures, disciplines, and techniques. The stunning and contemporary art magazine PATRON, was launched in November 2011 and is now firmly cemented as the voice of the arts, culture, and design in Dallas and Fort Worth, Texas.

Many of the works are for sale from the individual galleries, and their contact information is noted on the Exhibit Overview, which can be reviewed here.

An Unseen Enemy, 2016

Jeff Zilm
24 x 20 in
gelatin film emulsion on canvas

Antique Lace - Rectangle Black 1

Anila Quayyum Agha
20 x 16 in.
mixed media on paper

Calendar, No. 4, 2019

Theodora Allen
53 x 45 in.
oil and watercolor on linen

Dust Kommander, 2015

Blair Thurman
46 1/8 x 29 1/2 x 2 3/8 in.
acrylic on canvas on wood

Gather, 2021

Anna Membrino
44 x 39 in.
acrylic and oil on canvas

Indigo January 2019, 2019

Annette Lawrence
30 x 22 in.
acrylic on paper

Mother and Child, 2021

Francisco Moreno
27 1/4 x 38 1/4 inches
acrylic on canvas

Open Barn, 2021

Alec Egan
48 x 36 inches
oil on canvas

Patron, 2011

Aaron Parazette
34 x 32 framed
archival inkjet print

Sabbath, 2019

Marc Dennis
45 x 60
oil on canvas


Marjorie Norman Schwarz
9 x 10 in.
water soluble oil on canvas

Untitled (2019)

Michelle Rawlings
16 x 11.75 in
acrylic on linen mounted to board

Untitled (Summertime) 2014

Maxine Helfman
32 x 22 in. framed dimensions
archival print

You are (on) a mountain, 2021

Alicia Eggert


Night Gallery's "Double Portrait" exhibition by Andy Woll

Rotating Exhibitions

Exhibition Overview - Night Gallery Present's "Double Portraitby Andy Woll
May 21 – October 1, 2021

Night Gallery is pleased to present "Double Portrait", an exhibition of new paintings by Andy Woll at Park House in Dallas, Texas.

Andy Woll is a Los-Angeles based artist known for spirited, gestural paintings featuring thick applications of oil paint. Across his body of work he has revisited straightforward subjects – including Los Angeles’ Mt. Wilson, horses, and standing chairs – which through his repeated depictions become contexts for evolving explorations of color and form. Made alongside works of pure abstraction, Woll’s paintings push at the limit of representation, masterfully reigning his seemingly spontaneous brushwork into figuration.

Recent iterations of Woll’s series have found the artist incorporating passages from historic works of art hidden within his paintings of mountains and horses, layering both illusions and allusions within deceptively simple compositions. With playful elegance, these works collapse the lineage of oil painting within singular images, hearkening back to the Old Masters while employing formal strategies out of Modernism. In conversation with the heavy viscosity of Woll’s brushstrokes, which add inches of depth to the painting’s surface, the works become testaments to the history of oil paint not only as a tool of representation but also as a material itself. In his ongoing series we can find the artist delighting in the medium of paint, uncovering new and revelatory possibilities through the act of repetition.

About the Artist...
Andy Woll lives and works in Los Angeles. He has exhibited work at Denny Dimin Gallery, New York, NY; Wilding Cran Gallery, Los Angeles, CA; Blum and Poe, Los Angeles, CA; Rachel Uffner Gallery, New York, NY and others. His work has been featured in Cultured Magazine, Artnet, Two Coats of Paint among others. He is represented by Night Gallery.

*To view all artwork pricing & information, click here.
*To inquire about purchasing the art, please email William Hathaway at or call 562-322-4576

Arno, 2021

oil on linen
72 x 88 in (182.9 x 223.5 cm)

Duncan, 2021

oil on linen
18 x 26 in (45.7 x 66 cm)

Leopold, 2021

oil on linen
11 x 14 in (27.9 x 35.6 cm)

Mt. Wilson (Arno I), 2021

oil on linen
54 x 37 5/8 in (137.2 x 95.6 cm)

Mt. Wilson (Las Meninas XI), 2020

oil on linen
54 x 37 5/8 in (137.2 x 95.6 cm)

Mt. Wilsons I, 2020

oil and acrylic on paper
20 1/2 x 14 1/2 in (52.1 x 36.8 cm)

Mt. Wilsons III, 2020

oil and acrylic on paper
Each panel: 22 3/4 x 16 3/4 in (57.8 x 42.6 cm)


Deep in the Art of Texas

Rotating Exhibitions

Exhibition Overview - Deep in the Art of Texas
We were delighted to have Donald Robertson’s tongue-in-cheek, humorous art grace the walls and halls of Park House for his first show in Dallas. Our collaboration with the noted pop artist, prolific Instagram star and illustrator, enlivened the walls as you entered Park House. Donald recently moved his family to Highland Park from Southern California. Within a few short months, he has entrenched himself in the culture and subtleties of Texas and Dallas. 

Donald’s show featured various elements including his works on canvas, illustrations directly on the walls and large-scale sculptures. And for this show only, we created an “Instagram Photo” opportunity! Be sure to follow Donald on Instagram at @drawbertson. PH hosted a programming event were Donald chatted with PH co-founder, Deborah Scott, about his inspirations behind the Park House show and the wide breadth of art works he creates out of anything from an old basketball, vintage canvases and oil drums. Donald’s works were also available for purchase right off the walls. A percentage of the sale of each piece benefited our soon to be launched Park House Foundation, PHoundation. More information to follow on this exciting charity endeavor.

Now a word from the Artist...Donald's Vision:
“Happy April Fools!” The perfect day to open a show of my work. I pride myself on being foolish. I love making ridiculous things. “Funny Art” - not just because people who know better told me not to. Oh no. I explained it this way...I like my work to be “tongue in chic”. That explains what I do perfectly. Stupid I know. Google if you will my first solo show I did in Paris at Colette. It was during French Fashion week. I had been invited by Madam Colette herself to show my Portraits I make out of Walnuts. The show was called #fashionisnuts! It was so stupid and so genius at the same time. I’ll never forget Planters peanuts executives tried to contact me after because they said it’s hard to get high end fashion press for nuts! I proved them wrong.

People in California said I was crazy for moving to Texas. That was in December 2020. I got here in January 2021 and my wife, Kim, and I immediately landed on a bar sofa in Park House. We had the best night. Deborah asked me to lunch the next day. She had me sign one of the last copies of my (sold out) book. Then, we came up with the idea to let me art bomb the joint. The front part!!! I am thrilled to have the blank walls to share all my latest work. Inspired by my very long drive to Texas. I drove a dog and my middle son, Ted. Kim and the other two flew. It was a great trip and sparked something in me very deeply. Now the broker that sold me our house in Highland Park says all his appointments these days are showing people from California houses for sale. Ha! Who is the genius now!!! 

I’m sorry my Assouline coffee table book sold out. I would love to have it at Park House. I got a coffee table book of all my work because I was painting my name on their other covers and they asked me to stop. So, I got my own book. See how smart it is to do dumb things. Did I mention it sold out? Texas is a world into itself. Diana Vreeland said 'the eye has to travel.'  She was right. I have a lobby stuffed with inspired art to prove it."

About the Artist...
Canadian-born Robertson attended the Ontario College of Art and Design. He provided creative direction for the launch of MAC Cosmetics and later moved to New York City to work for Condé Nast, where he launched Marie Claire magazine.  In 2007, Donald started as a creative director at Esteé Lauder Companies on brands such as Smashbox, Bobbi Brown, and Bergdorf Goodman, including launching Flirt Cosmetics, Amber Rose.

In 2014, Robertson completed an artist-in-residency at Eric Firestone Gallery. He then joined Instagram and began to call himself " Donald Drawbertson", posting images of his work to all of his followers. He now has 220,000 loyal Instagram followers who purchase his creations from his daily postings. In 2014, Robertson was recognized by the CFDA and was nominated for "Instagrammer of the Year."

Also, an author, Robertson published and released his first children's book Mitford at the Fashion Zoo, in 2015, which follows Mitford the giraffe on his adventures at COVER magazine in the New York City fashion industry, what Robertson dubs the zoo. In September 2017 Donald published Donald: The Book with Assouline Publishing. Donald: The Book features many pieces from his collection and "playful anecdotes and quotes from industry leaders, fashion designers, and his many collaborators and muses. 

Over the years, Robertson has collaborated with various brands and companies and just launched a collab with Max Mara Weekend. Robertson's most recent charity collaboration was with Bloomingdales, designing a sweater of which a portion of profits benefitted the Breast Cancer Research Foundation. 

Armadillo Soccer

Framed 51x51

August in Texas!!!


Be A Unicorn

Cowbougie - SOLD

3ft Circle Canvas


45" canvas

Haute Cowture - SOLD


High Fashion is CHEESY

21.5 x 25.5

Mustang Sally - SOLD

6x6 Canvas

Neiman Marcus - SOLD


46' Canvas

Skull 1.2.3.

20 x 20 Canvas


Tesla La La

82x63 Sculpture

Tex Mex Queen

Texas Caviar



Park House Fall/Winter 2020 Exhibition

Rotating Exhibitions


Exhibition Overview
Park House's Fall/Winter 2020 exhibition showcased works from its members’ collections, highlighting the work of six women artists. Concepts of deconstruction were explored for this exhibition. By taking a deconstructive approach, in which not one single meaning can be found in a work, but rather many and often conflicting, we were able to discover and better understand underlying and perhaps unspoken thematics and frameworks. We opened the work for interpretation by observation. In each of these works the viewer was only privy to a moment in time, to the equivalent of a film still in a feature film. An instance with endless possibilities, with uncertain beginnings and endings. The placement of the works in the exhibition aimed to provoke a desire to investigate what is not apparent at first glance and produce — rather than presume — meaning to the works and also to place them in conversation with one another. Members were invited to spend time with each piece, to look closely and often. 

The exhibition was curated by Dallas Contemporary’s Deputy Director, Carolina Alvarez-Mathies.

Participating Artists and Member Collections

From the collection of Erin Cluley and Tearlach Hutcheson and the Park House Collection, Katherine Bradford from the collection of Lisa and John Runyon, Sara Cardona from the collection of Carolina Alvarez-Mathies, Michelle Grabner from the collection of Mark Giambrone, Marilyn Minter from the collection of Deborah and John Scott, and Lorna Simpson from the collection of Nancy C. Rogers.

About our Guest Curator: 

We were thrilled to announce Carolina Alvarez-Mathies as guest curator for the Fall/Winter 2020 Park House exhibition. Carolina is a Salvadoran arts professional who recently joined Dallas Contemporary as Deputy Director. Carolina sits on the Board of Directors of Y.ES Contemporary, dedicated to supporting and developing contemporary art in her native El Salvador and beyond. She is a Fellow of the fourteenth class of the Central America Leadership Initiative, a part of Aspen Institute's Global Leadership Network. Most recently, Carolina served as El Salvador’s Ambassador on Special Mission for Cultural Affairs and is former Director of External Affairs at Creative Time, and Head of Communications at El Museo del Barrio.  She is an alum of Texas Christian University.

Circular Thinking

Digital print on aluminum dibond
72 x 51.5 in
Loaned by Carolina Alvarez-Mathies

Darkened Staircase

Ink and acrylic on gessoed aluminum and fiberglass board
67 x 50 in
Loaned by Nancy C. Rogers


30 x 24 in
Loaned by Deborah & John Scott

Should I Tell Em?

Sewing and charcoal on cloth
32.5 x 30 in
Loaned by Erin Cluley & Tearlach Hutcheson


Sewing and charcoal on layered cloth
40 x 29.5 in
Loaned by Park House Collection


48 in round
Loaned by Mark Giambrone


48 in round
Loaned by Mark Giambrone

White Wave

Acrylic on canvas
46 x 28 in
Loaned by John & Lisa Runyon


Gilbert & George

Art for All

Gilbert & George are a fascinating collaborative duo based in East London. With the creed "Art for All," they have engaged and stunned the world with their peculiar performance pieces and vibrant photo-collage work.  

The pair met while studying at St. Martin's School of Art, and have lived together as "living sculptures" ever since. Their performance art piece, The Singing Sculpture, put them on the map in 1969. Since then, the two have functioned as one artist, and are known for large-scale photography, often working in bold colors and black grids. 

Rarely seen apart, and almost always in matching suits, Gilbert & George's relevancy extends beyond the art world. They have inspired comic book series and their work has been a favorite collectable of David Bowie.  In 2008, they were listed among the best dressed men over 50 in The Guardian. This year, they released a collaboration with the brand, Supreme

Their work is featured in The Art Institute of Chicago, Metropolitan Museum of Art, New York, Museum of Modern Art, New York, Tate Gallery, London, and all around the world.  

All Gilbert & George artwork is available for purchase from Lehmann Maupin Gallery.

Church, 2011

mixed media

E II R Bear, 2009

mixed media

Fantasy Island, 2009

mixed media

Flag At 10, 2009

mixed media

Numbers 8 & 139, 2009

mixed media

Playboy, 2011

mixed media

Sex Beast, 2011

mixed media

Tarts, 2009

mixed media

Taxi & Bus, 2009

mixed media


Charlie Billingham

A Well Deserved Break

Park House opened it's doors and showcased British painter, Charlie Billingham, and his unique art work that was featured in our rotating art gallery from December 2018 through October 2019. 

Charlie Billingham takes imagery from Regency-era satirical prints and drawings, cropping and distorting sections to create new compositions, devoid of the intended political and social meanings of the original illustrations. A rainbow of powdered wigs, plumed bonnets, sagging britches, and full-figured bottoms dance across his paintings. The canvases, which are sometimes hinged together to make folding screens, are often hung on block printed wall paintings and alongside colorful painted plant pots and houseplants, to create decorative, domestic interiors. Charlie Billingham (b. 1984, London) studied Fine Art and History of Art in Edinburgh (2008) and then Fine Art at the Royal Academy Schools in London (2013).

A Well Deserved Break, 2018

Oil on linen

Blockbuster, 2018

Oil on linen

Mr. Penny, 2018

Oil on linen 

Mrs. Pepys, 2018

Oil on linen

No Offence, 2018

Oil on linen 

Royal Rumble, 2018

Oil on linen

Strawberry Split, 2018

Oil on linen

Tight Rope, 2018

Oil on linen

Untitled, 2018

Oil on linen 

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